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Poems by John Pilkey
                        Eugene Delacroix. The Barque of Dante (1822)



                              Let Dante wander through the land of shade
                                        and then the realm of light for alteration.
                              It's better, I suppose, than those who stayed
                                        behind in dismal holes of un-creation.

                              The poet Virgil condescends to guide him
                                        to places where existence barely lingers;
                              he sometimes points ahead and sometimes hides him
                                        to peep through networks of his timid fingers.

                              The better Beatrice assumes the chore
                                        of showing what results from loss of sin
                              by premature ascending through the door
                                        where disembodied saints have all got in.

                              But that sly voyage depends on presupposing
                                        that "in" outranks in glory future "it"
                              and disembodied souls in present prosing
                                        prefer to contemplate and merely sit.

                              Whereas I read in Revelation Six
                                        that martyrs sit complaining to the Lord
                              as though they'd rather materialize and mix
                                        it up with persecutors of the Word.

                              To float away and contemplate is good
                                        but not so good as compassing a body,
                              a masterpiece beyond the reach of food,
                                        beyond the weak, the mortal and the shoddy.

                              Immortal life means visible performance
                                        like actors on a stage or modern dance
                              assembled at foundation or disturbance
                                        where dying faces can't resist a glance.
                                                  

          
John Davis Pilkey
A Preference